This isn’t the first time that Spike has talked about this issue so I’m not sure why the media is just now picking up on it (though it’s possible it is the first time he’s specifically mentioned Tyler’s name), but I have to say everything Spike is saying is what I’ve been saying all along about this man’s “films” if that’s what you want to call them.

And yes, Ed Gordon is absolutely right. Black people have no one to blame but themselves for these types of movies constantly being put out by Hollywood. It isn’t white people showing up to the theaters giving this man record box office receipts. And I’ll say the same thing I say to feminists who complain about today’s chick flicks. If you don’t show up for the good ones, don’t complain. Where were you when Miracle at St. Anna was released? Where were you when Akeelah and the Bee came out? If no one goes to see these films, Hollywood will not put them out.

There’s so many problems with Tyler’s films I don’t even know where to begin. But this Entertainment Weekly article puts most of the issues quite eloquently.

Matt Damon and Steven Soderbergh talk more about “The Informant”, the film where Damon had to gain 30 lbs to play a man who blows the whistle on his company’s price-fixing scheme.

A gay man in Thunder Bay, Canada was brutally beaten by six to eight men with bricks, and will now require reconstructive surgery to deal with the damage done to his face.

Openly gay Representative Barney Frank is eyeing a position in the Obama cabinet.  I doubt it will happen, but if it did he’d be the first gay person ever in the Presidential cabinet.

Ntozake Shange was slated to write and direct the film adaptation of her play For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, but now Tyler Perry has stolen the entire film from her.

Female UK prison officer wins case against correctional facility she claims treated her unfairly for being young, female, and pretty.

More tour dates have been canceled for homophobic Jamaican singer Buju Banton.  One of his most popular songs talks about shooting gays and burning their bodies.

Proud, admitted homophobe Tim Hardaway is now working hard to save gay lives.  He says “we don’t have to accept the act, but we have to accept them as people.” How generous of you.

A lot of attention is paid to the diversity displayed on the small screen but Entertainment Weekly has an interesting piece discussing the race and gender of the people behind the scenes in the world of television. They mention some of our most successful and celebrated television show creators and producers like J.J. Abrams, Aaron Sorkin, Joss Whedon, Aaron Spelling, David E. Kelley, and the list goes on. Forces to be reckoned with in the television industry who have had a number of successes. But where are the people of color? Where are the women?

Even the shows that are female-centric like The Closer, Desperate Housewives, Sex and the City, –they’re all created by white men. EW cites Shonda Rhimes of Grey’s Anatomy and Private Practice as well as Silvio Horta of Ugly Betty as some examples of non-white and non-male entities but Horta’s only success thus far has been Ugly Betty and Rhimes’ Private Practice’s long term success has yet to be seen.

But there are some up and coming women whose careers seem promising.

There are, certainly, a few up and coming female executive producers these days: Rebecca Sinclair (an alum of Buffy the Vampire Slayer and Gilmore Girls), who turned The CW’s 90210 remake around; Stephanie Savage, who’s given both The O.C. and Gossip Girl bite (even though she takes second billing to the more auteur-ish Josh Schwartz);

The L Word’s Ilene Chaiken; and Weeds’ Jenji Kohan. Tina Fey’s one of the few female voices on the Big Four — and she’s clearly one of the most unique (not to mention critically drooled-over). But none of those ladies has gotten the chance to prove she’s more than a one-hit wonder.

Tyler Perry has had much success with his multi-camera sitcom House of Payne on CBS, and as everyone knows, has had enormous success with his feature films, but again, Payne is his only television success and we still have no examples of television giants like the aforementioned who don’t have white skin or a penis.  A few more examples of creative forces of color:

Larry Wilmore won accolades (and an Emmy) for The Bernie Mac Show, but he’s now taken to more freelance work — appearing on The Daily Show, writing for/appearing on The Office, and authoring books.

And in perhaps the ultimate statement on the fate of female and minority would-be auteurs, Mara Brock Akil — who created the long-running UPN/CW sitcoms Girlfriends and The Game, some of the last vestiges of African-American-targeted programming — has joined the writing staff of ABC’s Cougar Town (created by Scrubs’ Bill Lawrence) to make the jokes on the Courteney Cox vehicle more organically female.

This information is troubling but not shocking, as the most recent report on the demographic breakdown of writers in Hollywood was quite bleak for women. According to the Hollywood Writers Report done by the Writers Guild of America, only 28% of the writers for television were female. Does that really make sense to you when more than 50% of the U.S. population is made up of women?